PAST AND FUTURE PRESENT(S)
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TERROR AUSTERITY GENDER EXCESS THEATER — RUTH WILSON GILMORE

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Los Angeles (1992) What kinds of terror are enacted by and on behalf of the U.S. Crisis State, both as response to and mystification ...

BREAK THE PRESENT

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Ramallah (1988) At the barricades the pain is over. The transformation is complete. It is completed by a shout from the rooftops that...

MARXISM AND THE INTELLECTUALS — C.L.R. JAMES

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Antonio Berni, "Manifestación" (1934) Thus, although the working class has its own special problems, the state of the na...

CULTURAL REVOLUTION AND THE LITERARY CANON — AMIRI BARAKA

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"Noah Purifoy making artwork with students" Via: Hammer Museum Amiri Baraka was among the most cogent critics of U.S. l...

NOTES ON LIVING AND WRITING IN AMERIKA PT. III

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Etel Adnan, "Blessed Day" (1990) And so I did not reject these poems, I did not despise them saying, "How is this p...

OF PALESTINIANS AND NATIVE AMERICANS — MU'IN BSEISO

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The Gaza-born writer and activist Mu’in Bseiso (1926-1984) is best known for his many volumes of poetry. His lesser known but also vol...
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TRAVELING REVOLUTION — RASHID HUSSEIN

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In his introduction to the volume where this poem is published, the Palestinian poet and critic Izzedine al-Manasrah writes that...
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